GREEN   354   0
   2935   16.42 KB   313

UNTITLED (Soarin) by Trente-Neuf

By SlavePonyGeneral
Created: 8th January 2021 09:21:05 PM
21st June 2026 11:36:12 AM

  1.  
  2. >A loose piece of paper tumbles across the pavement.
  3. >For one second, it is the sole thing you focus on.
  4. >Not the oppressively dense fog.
  5. >Not the line of filthy people, yourself included, waiting for the line to move, if only just a tiny bit.
  6. >Not the heavily-armed, armored police keeping watch of the crowd gathered in front of the ration depot.
  7. >It's cold, being late fall, and your shabby jacket has no chance of keeping out the wind.
  8. >The surgical mask over your face has no chance of keeping out the sickness, either.
  9. >You try to quell a shiver, and burrow your hands a little deeper into your pockets.
  10. >You take a deep breath, and attempt to keep your thoughts away from the fact that they might run out of food before you even reach the entrance.
  11. >They have before.
  12. >You feel a tap on your shoulder.
  13. >"The line is moving ahead, keep going,"
  14. >The guard to your left addresses you in an irritated tone.
  15. >You don't need to see the expression behind his gas mask know that he's losing his patience.
  16. >You begin to take the few steps that mark the advancement of the line.
  17. >Then things start to go fuzzy.
  18. >"Hey!"
  19. >"Come on, wake up!"
  20. >Wait what?
  21. >"Wake up, we're here!"
  22. >Your eyes snap open as your dream of a time long past dissolves around you.
  23. >The plagues are over, and there's enough food that everyone can get by.
  24. >What more concerns you now is getting yourself a slave.
  25. >"Fell asleep on the bus, now did ya?"
  26. >That you did.
  27. "Great. Are we at the auction house already?"
  28. >You rub your eyes and step into the aisle.
  29. >"Yep,"
  30. >The guy sitting next to you hands you your coat, which you left on the seat.
  31. >The bus door squeaks open and you exit the vehicle.
  32. >You enter the local civic center where the auction is taking place.
  33. >Most towns host them like this, they're a decent source of funding.
  34. >With the war over, and so much of the population lost, enslavement of the ponies actually got enough support to pass through congress.
  35. >With a little bit of corporate nudging, mind you.
  36. >The man at the desk approves your papers, and you enter into the correct room.
  37. >You eye the ponies on display.
  38. >They all look kind of scared, but you have to suppress a chuckle at how terrified that yellow one looks.
  39. >Blue, rainbow-hair one looks like a bitch.
  40. >Mint-green unicorn? Maybe...
  41. >The big red earth pony doesn't look like he'd be good for anything other than farmwork.
  42. >Hmm...
  43. >You take a look at the others, too, but can't seem to make up your mind.
  44. >More people file in as the bidding begins.
  45. >First up is some earth pony mare, fetching an alright price.
  46. >You decide not to bid that time, and instead examine the ones in line to be sold.
  47. >Still don't have much of an idea as to which one you want.
  48. >They pull out the yellow pegasus you saw earlier.
  49. >You'd bid, but she seems timid as fuck.
  50. >Not the type of slave that belongs with you.
  51. >"Going once... Going twice... Sold to the man in the back corner!"
  52. >She's dragged away in tears.
  53. >Next up is a purple unicorn.
  54. >You bid twice, but stop after the price gets to be more than $1500.
  55. >It's a shame, telekinesis would have been handy for the job were looking to fill.
  56. >Looking back to the ponies in line, a light blue pegasus stallion with a darker mane catches your attention.
  57. >Might just be who you're looking for.
  58. >You're sure he's strong enough to move equipment around the boat.
  59. >Doesn't look too fucking dense, either.
  60. >You'll go for him.
  61. >He is led up after a couple more purchases, giving a weary look into the crowd with his green eyes.
  62. >You've got just about $3000 in your wallet, and you'll damn well spend it all to get the pone you want.
  63. >Bids start at $500.
  64. >One clueless fuck dooms himself to losing by wanting the same thing that you do.
  65. >"I'll go 500!"
  66. >Some other shitwad raises it to 600.
  67. >The first guy retorts:
  68. >"Six-fifty!"
  69. >You watch as they slowly raise the bid.
  70. >"Seven-eighty-five!"
  71. >"Eight hundred!"
  72. >"830!"
  73. >You decide to butt in.
  74. "One thousand!"
  75. >One of the two guys gives up, probably out of money.
  76. >But this other motherfucker...
  77. >"Fifteen-hundred!"
  78. >Oh no you don't.
  79. "Seventeen-fifty!"
  80. >He hesitates for a second.
  81. >"$2000,"
  82. >He looks desperate, $2000 must be close to all he has.
  83. "Twenty-two-fifty,"
  84. >"Going once..."
  85. >You smirk.
  86. >"Going twice..."
  87. >You're getting your pony.
  88. >That's right.
  89. >"$2500, that's all I can offer,"
  90. >Then he isn't getting the goddamn pegasus.
  91. "Three thousand!"
  92. >The auctioneer says his thing, this time uninterrupted.
  93. >"Sold to the guy in the third row, left side, in the black coat!"
  94. >Fuck yes.
  95. >You walk up to the side of the room where a desk is set up.
  96. >You receive his registration, miscellaneous documents you don't care about, and a shock collar.
  97. >One of the guys brings the pony over while the next, the big red guy, is dragged into place.
  98. >The stallion stares at the ground dejectedly as the man hands you his lead.
  99. >"Good choice sir, have a nice day,"
  100. >You look at the pegasus you've just purchased.
  101. >Depressed-looking, but overall not bad for the price you paid.
  102. >You're sure he'll be fine after a while.
  103. "Thank you,"
  104. >You leave the auction house, the pony only lagging slightly behind you.
  105. >He must be just about as tired as you are.
  106. >Stepping onto the curb, you find the bus idling a short distance away.
  107. "So..."
  108. >He slowly raises his head, his eyes dull.
  109. >Damn, he looks sad.
  110. >You forgot what you were going to say.
  111. >Instead, you take a look at one of the sheets of paper the auctioneer gave you.
  112. >It's a basic profile.
  113. >Name: Soarin'
  114. >At least you know his name, now.
  115. >Former Occupation: EUP reservist/show flier
  116. >Interesting...
  117. >Capture: Trottingham, eastern Equestria, by Senegalese Army.
  118. >You never really worked with them, you were on the other front.
  119. >You didn't really get why they put you, partially fluent in French, on the other side of the continent, with a bunch of Brazilians.
  120. >Anyway...
  121. >You continue reading.
  122. >Notes: Slight depression issue.
  123. >Fucking seriously?
  124. >*Slight* depression issue?
  125. >They think they can downplay *that*?
  126. >You look over at Soarin, who is staring sadly at the ground.
  127. >You also realize you've been standing out in the cold for five minutes.
  128. "Hey, you wanna wait on the bus? It's actually got a heater,"
  129. >He glances at you with a weary expression.
  130. >"I guess so,"
  131. >He replies in a gravelly, apathetic voice.
  132. >Yeah, put depression on your list of things you need taken care of.
  133.  
  134. >Your squad and the Brazilians you are attached with are sitting around a bonfire, getting drunk as fuck.
  135. >Suspended over the fire by a spit is the skinned, sizzling corpse of a royal guard, a unicorn mare.
  136. >You don't care how immoral what you're about to do is, you haven't eaten anything other than meager, heavily processed rations for four years.
  137. >Just the thought of something fresh makes you salivate.
  138. >People saw meat off its body with combat knives in a fashion as orderly as 35 wasted soldiers can muster.
  139. >You get some leg meat and stumble back to the log you were sitting on, taking a bite of the morsel.
  140. >Tastes decent...
  141. >The 20-odd POWs, guarded by a few sober group members, are completely mortified, some crying or retching at what they see.
  142. >The leader of the Brazilian platoon removes the roasted guard's horn with his machete, and gives it to your sergeant.
  143. >A fine souvenir from your time in the Amazon, if you do say so yourself.
  144.  
  145. >When you open your eyes, you are no longer in the rainforest.
  146. >Nope, you're in bed, at home, and you've put those times behind you.
  147. >People did crazy shit during the war...
  148. >You pull on some decent clothes while thinking about what to make for breakfast.
  149. >Wonder what Soarin would eat?
  150. >You'll just go with cereal.
  151. >Hard to go wrong with that.
  152. >Before you make breakfast, though, you take the tarnished royal guard helmet off your mantle and hide it.
  153. >Don't need Soarin seeing that.
  154. >You also put another picture in front of the one that shows you and your buddies dancing on the ashes of Canterlot.
  155. >You go over to the guest room, now occupied by your pony.
  156. >You locked the door last night, but in his state, you don't think he'll try anything.
  157. >Still, just to be safe, you unlock it as silently as possible, stand to the side of the door, and quickly pry it open.
  158. >He's just sitting there, casually flipping through a magazine.
  159. >No, not *that* kind of magazine, Anons.
  160. >You guys really do have dirty minds.
  161. "Good morning, Soarin,"
  162. >He looks like he's wondering how you know his name, but he rolls with it.
  163. >"Uh, good morning?"
  164. >Yes, he actually says it like there's a question mark at the end of the sentence.
  165. "Feel free to make yourself at home or something. What'd you like for breakfast?"
  166. >He looks at you unsurely and scratches his unkempt mane idly with a hoof.
  167. >"Uh... Well, I guess- uh... What do you have?"
  168. >What do you have?
  169. >Hmm...
  170. >"Let's see... Oatmeal, cereal, toast, maybe some fruit, yogurt, or bagels, if you want,"
  171. >His eyes brighten up slightly at the prospect of real, good-quality food.
  172. >"Toast sounds fine,"
  173. >He does a bad job hiding the slight smile forming on his face.
  174. "Alright, find something to keep yourself occupied, I'll go make breakfast,"
  175. >"Thank you, uh..."
  176. "Anon. My name's Anon,"
  177. >"Yeah, well thanks,"
  178. >He's genuinely happy.
  179. >You walk into your small kitchen.
  180. >It is time for master chef Anon to shine.
  181. >There's a loaf of bread in that drawer... Or so you thought.
  182. >You spend a solid minute searching for the goddamned bread, finally finding it behind the microwave.
  183. >How the fuck it got there, you haven't the slightest clue.
  184. >With your culinary prowess, you burn the toast like it's Ponyville after the firebombings, then manage to completely mangle it while trying to scrape off the burnt parts.
  185. >Comme un artiste.
  186. >While putting it on a plate, you realize you forgot to ask Soarin what he wanted on his toast.
  187. >Ah, fuck it. You're too lazy to ask, so you just go with butter.
  188. >Who doesn't like butter on toast?
  189. >You find Soarin in the living room.
  190. >He doesn't notice you, he's just kind of standing around, looking at the photos on the far wall.
  191. >There are a few ones with family that he glances at, but what catches his attention is one of you in a dress uniform, walking off the ramp of a C-130.
  192. >You still remember that day, finally returning home was nice.
  193. >He turns back to look at you.
  194. "Well, I've got breakfast. Go ahead, take a seat,"
  195. >"Alright,"
  196. >Good to distract him from that subject, you're sure he has bad memories of the war.
  197. >You can talk to him about those later.
  198. >Soarin complies and plops himself down in an armchair.
  199. >You hand him the plate, and he wastes no time digging in.
  200. >Shit, was this pony starved or something?
  201. >Yep, probably.
  202. >He finishes the first piece, and attacks the second one with zeal.
  203. >When he's done, he still looks hungry.
  204. "Yeesh, want something more? I've got more food,"
  205. >He looks up at you, eyes wide.
  206. >"I can have more food?"
  207. >Yep, those slavers sure do a shit job of feeding their ponies.
  208. >You nod.
  209. "Yeah. Want more toast, or something else?"
  210. >He takes a second, absorbing what he's hearing.
  211. >"M-more toast... Would be nice,"
  212. >The way he's tearing up about the prospect of getting a third piece of toast reminds you of when you first were drafted into the army:
  213. >After almost dying of starvation, your mind was fucking blown when you realized the military had enough MREs to provide *two* meals a day, not just one.
  214. >Shit, you felt guilty for being a damn glutton because of those two measly packs of shit-tier food you received daily.
  215. >Same thing is happening with Soarin here.
  216. >He looks like everything he's ever known was blown away just because you said he could have a second serving.
  217. >Tears well in his eyes as he embraces you with his forehooves.
  218. >"Thank you, Anon. Thank you,"
  219. >Even though the pegasus is weak with starvation, his hug still forces air out of you.
  220. >You have some understanding of where he's coming from, but you still can't help but pity him.
  221. >Those papers said he was, what? 19 years old?
  222. >You were only a bit older than that when you were drafted, but, I mean, you did win the war (and get a decent therapist afterwards).
  223. >And even though awful shit happened, you were the one doing it, not having it happen to you.
  224. >Soarin here has seen his entire adult life ruined by a conflict he probably never knew would start.
  225. >Sucks for him.
  226. >Either way, you should probably go make more food, Soarin wanted some and you haven't eaten yet.
  227. >And this whole hug thing is getting awkward, fast.
  228. "Okay, Soarin, uh, I get this 'undying gratitude' stuff, but if you want more food, I kinda have to go make it,"
  229. >He lets go finally, a sheepish grin on his face.
  230. >"Y-yeah, sorry..."
  231. >He sucks at hiding the flush on his cheeks.
  232. >You laugh it off and enter the kitchen.
  233. >This time, the toast isn't half as badly butchered, and you make some for yourself, too.
  234. >You head back into the living room with two heaping plates of toast.
  235. >Courtesy of Master Chef Anon.
  236. >You both begin to eat your food.
  237. >Neither of you talk, consumed by eating.
  238. >You look up at the photo on the wall, chastising yourself for not hiding it.
  239. >You don't care if he finds out you were in the army.
  240. >So many people served, it's only natural that there was a chance you fought in the war.
  241. >What you really cared about was little filly that was in your backpack at the time.
  242. >You wanted to make sure he'd never hear about her.
  243.  
  244. >You are private first class Anon Y. Mous.
  245. >And you've found what was making the noises.
  246. >A small white filly, sprawled on the ground, a shattered horn poking through her pink-and-purple hair.
  247. >Where one of her back legs should be, there is only a ragged, gory stump that ends before the first joint.
  248. >Blood and ash are spattered all over her coat.
  249. >In between sobs, she cries, with labored breaths, for help.
  250. >She looks up to you, her tear-moistened green eyes desperate, almost pleading.
  251. >"P-please... It hurts, h-help,"
  252. >She begs in a voice laden with pain.
  253. >"I-it hurts s-so much,"
  254. >Does she care that you're the enemy?
  255. >"P-please,"
  256. >Of course not, she's a scared, hurt child who just wants comfort.
  257. >A corporal from your squad, who is going by, nudges you on the shoulder.
  258. >"She's yours, 'Mous, get it done and get moving,"
  259. >You sigh.
  260. "Yes, sir,"
  261. >Two conflicted, staccato words.
  262. >He runs off to catch the rest of the group.
  263. >You know very well what a "She's yours" means.
  264. >You ask for forgiveness.
  265. >You remove your pistol from the holster on your vest.
  266. >And pause.
  267. >Distant screams can be heard over the thunder of artillery and the pops of rifle fire.
  268. >The burning buildings can be seen, even through the thick cloud of smoke forming over the village.
  269. >And at your feet lies a terrified, broken filly, now fervently begging for her life at the sight of your weapon.
  270. >What a night.
  271. >You line up the sights on her head.
  272. >At least you'll make it quick.
  273. >You switch off the safety.
  274. >She's only a child...
  275. >The child of an enemy.
  276. >You move your finger to the trigger...
  277.  
  278. >The hoof shaking your back brings you back to awareness.
  279. >You're breathing raggedly, cold sweat stinging your skin.
  280. >Your eyes begin to refocus, bringing the living room back into view.
  281. >Fuck...
  282. >Reminiscing a little too vividly on the old war days, now were you?
  283. >You look down to your right, where you're pretty sure Soarin must be.
  284. >The concerned look wipes off his face as he shrinks back from your gaze.
  285. >Does he really think you're enough of a dick to hit a pony because they were concerned about you?
  286. >Are you?
  287. >Dick enough to mess with the poor guy, that's for sure.
  288. "DID I ASK YOU TO CHECK ON ME?!"
  289. >You yell with unnecessary volume.
  290. >Soarin looks fucking mortified. He quickly tries to stutter out a response:
  291. >"Uh, well, n-no... B-but you w-weren't responding, I wanted to-"
  292. "BUT DID I ASK?! HUH?!"
  293. >He's looking like he's regretting his life choices at this point.
  294. >He shrinks away even further, clenching his eyes shut.
  295. >"Please! I j-just wanted to help!"
  296. >Too far, Anon, too far.
  297. >The joke is over.
  298. "Shit, man, calm down! I was just fuckin' with you!"
  299. >Soarin whimpers from the corner he's backed into.
  300. >"Huh?"
  301. >You sigh.
  302. "It was supposed to be a joke,"
  303. >He looks up at you and visibly calms down.
  304. >"A joke?"
  305. >Mmhm.
  306. "Yeah. I will say I was glad to see you were actually concerned for my wellbeing,"
  307. >The look of confusion still evident on his face, he responds.
  308. >"Uh, thanks,"
  309. >While you were spaced out, he could have easily left you there, broken a window, and made a run for it.
  310. >Hell, he could have even killed you.
  311. >But he didn't.
  312. >This pony is actually starting to gain your respect.

UNTITLED

by SlavePonyGeneral

Big Mac and Cheerilee

by SlavePonyGeneral

Pulling Pony

by SlavePonyGeneral

An Afternoon With Pinkie (nsfw)

by SlavePonyGeneral

All Too Real

by SlavePonyGeneral